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■ART CALENDAR 52 DECEMBER 2015 i LIC COURIER i www.qns.com DEC Photos courtesy Thanassi Karageorgiou / Museum of the Moving Image MoMA PS1 22-25 Jackson Ave. I (718) 784-2084 “Jonah Groeneboer, Double Mouth Feedback” On view Dec. 24 Double Mouth Feedback is a multi-channel sound installation by Jonah Groeneboer, in collaboration with Bruno Coviello. The source material for this project is generated from vocal recordings from participants including Jeanine Oleson, Malik Gaines, Nath Ann Carrera, and Raul De Nieves among others. The recordings were created in response to a series of prompts asking the participants to manifest their experience of gender through vocal sound. Museum of the Moving Image 36-01 35th Ave. I (718) 777-6800 “Shaun the Sheep” On view Dec. 26 through Jan. 1 The hilarious stop-motion feature from Aardman Animations starring Shaun the Sheep anchors the Museum’s holiday family programs. When Shaun and his flockmates become bored with the routine of farm life, their efforts to take a holiday end with the Farmer lost in the big city. Told with no dialogue, the humor and laughs come from brilliant physical comedy, sound effects, and music. Recommended for ages 5 and over. Sculpture Center 44-19 Purves St. I (718) 361-1750 “Gabriel Sierra: Numbers in a Room” On view through Jan. 4 By modifying and extending the guiding information of the exhibition space, Gabriel Sierra will restructure the lower level galleries, effacing and confusing distinctions between the architecture, the institution, and the works that comprise the exhibition. The combination of alternative and existing floor plans, signage, and objects in the space all refer to the codes for viewing and maneuvering through the context of an exhibition. Museum of the Moving Image 36-01 35th Ave I (718) 777-6800 “How Cats Took Over the Internet” On view through Feb. 21 How Cats Took Over the Internet tells the history of cats online, examining phenomena like Caturday, lolcats, cat videos, celebrity cats, and more to unearth why images and videos of the feline kind have transfixed a generation of web users. Touching on concepts like anthropomorphism, the aesthetics of cuteness, the Bored at Work Network, and the rise of usergenerated content, this exhibit takes a critical look at a deceptively frivolous phenomenon.


LIC122015
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