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44 FEBRUARY 2018 I LIC COURIER I www.qns.com
Courtesy of
PLAXALL
LONG ISLAND CITY
FEBRUARY 2018
MOMA PSI The Sculpture Center
22-25 Jackson Ave • LIC
718.784.2084 • MoMAPS1.org
35 Ave at 37 St • Astoria
718.777.6800 • www.movingimage.us
44-19 Purves Street · LIC
718.361.1750 • www.sculpture-center.org
The core exhibition of the Museum, Behind the Screen is a
one-of-a-kind experience that immerses visitors in the
creative and technical process of producing, promoting,
and presenting lms, television shows, and digital
entertainment. Occupying 15,000 square feet of the
Museum’s second and third oors, the exhibition reveals
the skills, material resources, and artistic decisions that go
into making moving images. Behind the Screen also
introduces visitors to the history of the moving image, from
nineteenth-century optical toys to the present-day impact
of digital tools on lm editing and post-production.
Exhibition features: Artifacts, Computer-based interactive
experiences, Audio-visual material, and Commissioned
artworks.
SculptureCenter is pleased to announce Another Echo, an
exhibition presented through In Practice, SculptureCenter's open
call commissioning program for emerging artists. Exemplifying
the spirit of SculptureCenter's mission, In Practice provides new
ways to discover the most innovative artwork, foster experimenta-tion,
and give participants the opportunity to develop and present
new work.
The exhibition features newly commissioned works by: Elena Ailes
& Simon Belleau, Nobutaka Aozaki, Cudelice Brazelton, Priyanka
Dasgupta & Chad Marshall, Carey Denniston, Jules Gimbrone,
Baseera Khan, Juliana Cerqueira Leite, Courtney McClellan, Jon
Wang, Carmen Winant, and Lachell Workman and is curated by
Allie Tepper, SculptureCenter's 2018 Curatorial Fellow.
MoMA PS1 presents the rst comprehensive retrospective of Carolee
Schneemann, spanning the artist’s prolic six-decade career. As one of the
most inuential artists of the second part of the 20th century, Schneemann’s
pioneering investigations into subjectivity, the social construction of the
female body, and the cultural biases of art history have had signicant
inuence on subsequent generations of artists. Carolee Schneemann: Kinetic
Painting begins with rarely seen examples of the artist’s early paintings of the
1950s and their evolution into assemblages made in the 1960s, which
integrated objects, mechanical elements, and modes of deconstruction. In the
late 1960s Schneemann began positioning her own body within her work,
performing the roles of “both image and image-maker.
EXHIBITION
January 29 - April 2, 2018
In Practice: Another Echo
Carolee Schneemann: Kinetic Painting
Through March 11
EXHIBITION
Behind the Screen
Ongoing
