
 
        
         
		MARCH  2 0 1 8   I  BOROMAG.COM 51 
 “You have to say yes; you can’t say  
 no,” Jurek said. 
 On  a Tuesday  night,  Jurek  
 enthusiastically  watched  as  
 the  several  women  in  her  
 class  played  “Emotional  
 Uber,”  acting  out  a  carshare  
 gone wrong, and “Machine,” stepping up  
 one  by  one  to  become  part  of  a  human  
 espresso-maker,  complete  with  sounds  
 and movement. 
 “We get to be silly and say whatever is on our  
 minds,” said Rasna Defeis, who lives in Astoria  
 and is taking Jurek’s class for the second time.  
 “It lets you unleash.” 
 That’s one of the reasons  Jurek wanted to  
 bring improv to women in her neighborhood,  
 to help them bond with each other, “show  
 the funny” in a safe space and escape the  
 mundane — jobs, kids, relationships. 
 Jurek, who had a career in musical theater  
 and directing, has always incorporated improv  
 into her work, whether in a warmup with  
 fellow actors backstage or coaching adults  
 for auditions, to pull out the “weirdness” and  
 “humanity” in their performances.  
 Once she had her first child two and a half  
 years ago, Jurek left her job at the time as the  
 assistant to a cantor at a synagogue, and was  
 getting to know more moms. 
 She started Hallet’s Cove Theater to pursue  
 performance of  all  forms, and “spread  the  
 love” in her own way. 
 Her first local productions were full-scale,  
 interactive puppet shows in local stores and  
 children’s  spaces  like  Raising  Astoria  and  
 Okabaloo. She provides the set and her handsewn  
 “trash puppets” with original storylines  
 and accompanying music. 
 “My rule was, I had to be fired,” she said.  
 “They had to fire me; that’s the only way I’d  
 stop." 
 The opposite happened: She gained a  
 following, attracting full houses to her shows.  
 Her characters continued to develop and  
 become more “bizarre,” she said. 
 Eventually, Jurek thought the moms she was  
 connecting with might be interested in creative  
 performance themselves.  
 “I’m home, I’m meeting  members of my  
 community and thought, ‘I wonder if people  
 around here want  access to  improv,’”  she  
 remembers thinking. 
 While there are plenty of great places to do  
 improv in Manhattan, Jurek said not only can it  
 be expensive, but it can also feel intimidating. 
 She offered her first all-female improv  
 class last fall — 1.5-hour sessions once a  
 week, wine included.  The class concluded  
 with a 45-minute performance for an  
 audience at the  Astoria comedy space  
 Q.E.D., where the women acted out some  
 of the games they had practiced in class.  
 The second class, which includes the seven  
 original participants in addition to new  
 people, started in early February. 
 “This is special. I just wanted to make it a a  
 safe place for women to lead and be led,”  
 Jurek said of her improv class. 
 Defeis said she was intrigued when she saw  
 information on an  Astoria moms Facebook  
 page, and hadn’t often seen the opportunity to  
 try improv in her own neighborhood.  
 Normally, yelling, “I want  
 to eat that baby!” wouldn’t  
 go over well, but in Astoria  
 Women’s Improv class,  
 Jen Jurek encourages  
 participants to say anything  
 and go with it.