
 
		‘Openness’ through art 
 Meet artist Elizabeth Glaessner, showcasing works in Lower Manhattan 
 BY BOB KRASNER 
 “The feelings that I  
 want to convey … I  
 don’t always have the  
 words  to  describe,”  explains  
 painter  Elizabeth  Glaessner  
 amidst  the  large,  beautifully  
 painted  and somewhat mysterious  
 canvases  that  make  up  
 her  solo  show  at  the  P.P.O.W.  
 gallery in Lower Manhattan. 
 Titled  “Phantom  Tail,”  a  
 reference to the artist having  
 been born with a protruding  
 tailbone,  the  show  consists  of  
 lusciously painted images that  
 give the viewer a glimpse into  
 the world inside the painter’s  
 head,  while  leaving  one  to  
 come to their own conclusions. 
 “I  am  trying  to  convey  a  
 sense of openness, strength  
 and freedom in the fi gures, but  
 there is not any sort of moral  
 code or message to take away,”  
 Glaessner says. “I like to keep  
 them open  so that people can  
 bring their own experience  
 into it.” There have been times  
 when others have commented  
 on what they saw in a work in  
 progress, leading Glaessner in  
 a  different  direction  and  adding  
 imagery that she originally  
 had not considered. 
 “I allow the painting to tell  
 me where it’s going to go,”  
 Glaessner  muses.  “They  are  
 never exactly how I think they  
 will be.” 
 Although the paintings have  
 roots in classic work by painters  
 such as Edvard Munch  
 and Odilon Redon and can  
 claim the infl uence of “mythology, 
  sculpture and art history,”  
 Glaessner has her own style. 
 She notes that the images  
 “all  come  from  personal  experience  
 — not necessarily illustrations  
 of specifi c  events,  
 but the feelings of those experiences  
 that channel through.  
 Anxiety,  fear,  stress  –  things  
 experienced in my childhood.” 
 In  fact,  Glaessner  began  
 drawing  when  she  was  young  
 to deal with some unfortunate  
 trauma experienced in her  
 “chaotic childhood.” 
 She has come a long way  
 since  she  sold  her  fi rst  watercolor  
 to a friend for $200.  
 Artistic  ambition  led  her  to  
 ARTS & ENTERTAINMENT 
 switch to oil on canvas, which  
 she calls “more of a commitment  
 — by the time you’ve  
 prepared the canvas, you’ve  
 already done a lot of work.” 
 She works on a number  
 of pieces at once, sometimes  
 leaving  one  for  awhile  and  
 then returning to it to reassess. 
  There tends to be an arc  
 that  Glaessner  experiences,  
 which goes like this: “It starts  
 out great and then hits a point  
 where I question everything.  
 But  I  always  know  when  
 it’s fi nished.” 
 Wendy  Olsoff,  one  of  the  
 founders of P.P.O.W., gave  
 Glaessner  her  fi rst solo show  
 in 2014. Discussing the work,  
 she mentions the progress that  
 the artist has made since then. 
 (Above)  Elizabeth  Glaessner  at  the  P.P.O.W.  gallery.  (Left)  
 Glaessner contemplating her work “Two Sphinxes.” 
 “The content now is much  
 more  focused,  as  is  the  palette,” 
  notes Olsoff. “However,  
 there  is  still  a  lot  in  common  
 with her  early work which always  
 focused on the body and  
 it’s  relationship  to  nature  and  
 fl uidity  between  realms  real  
 and imagined. She is now more  
 experienced and confi dent and  
 it really shows. It took a lot of  
 work  to  get  where  she  is,  but  
 she defi nitely evolved through  
 a lot of experimentation.” 
 Art collector Amanda Rubin, 
  who has been following  
 Glaessner since that fi rst show,  
 owns several of the artist’s early  
 pieces. Rubin spent much  
 of her time at the opening  
 marveling at the new work. 
 “I fell in love with her work  
 immediately!” she exclaims.  
 “I love the richness of the colors  
 and the powerful, dreamy  
 images  that  are  mixed  with  
 PHOTOS BY BOB KRASNER 
 an  undercurrent  of  sexuality. 
   They  depict  a  lush,  sensual  
 dream  state  that  is  still  
 connected to the earth.” 
 “I’ve  been  creating  this  
 world as a psychological investigation,” 
   Glaessner  explains.  
 “They are not illustrations of  
 specifi c events. I became interested  
 in  creating  a  parallel  
 world and people will see  
 in  it what  they want  to  see.  I  
 hope  that  people  will  understand  
 the struggle that goes  
 into  making  the  painting  and  
 know that it’s ok if you don’t  
 get to where you wanted to go.  
 I’m  not  interested  in  creating  
 a  perfect  painting.  It’s  more  
 about the journey.” 
 “Phantom  Tail”  runs  
 through March 22 at the  
 P.P.O.W. gallery, 392 Broadway. 
   More  info  at  ppowgallery. 
 com  and  Glaessner  is  on  
 Instagram at @eglaessn. 
 24     March 10, 2022 Schneps Media