
 
		29   
 Caribbean Life, April 21-27, 2022 
 Welcome to the club – or not? 
 By Terri Schlichenmeyer 
 The key for the clubhouse door  
 is off-limits to you. 
 You’ll  never  earn  the member  
 jacket  or  learn  the  double-secret  
 handshake.  No matter  how  hard  
 you  try, membership  to  the  club  
 is totally off-limits and that’s irritating, 
   embarrassing,  and  even  
 dangerous. But read the new book  
 “You Sound Like a White Girl” by  
 Julissa  Arce,  and  maybe  that’s  a  
 club not worth joining. 
 For the first eleven years of her  
 life,  Julissa  Arce  was  a  Mexican  
 child  living  in  Mexico.  She  was  
 not  ethnically  different  from  any  
 of her neighbors;  in  fact,  “Eating  
 the  food,  speaking  the  language,  
 dancing  to  the music  –  it was all  
 like breathing air.” 
 And  then  everything  changed.  
 Her  parents  moved  their  family  
 across  the  border  to  America,  a  
 sacrifice they made to ensure better  
 opportunities  for  their  children  
 but with those opportunities  
 came  struggle.  Arce  constantly  
 worked to fit in, she cut her long  
 hair,  and  she  practiced  until  she  
 could  speak English  almost  flawlessly  
 but  even  the  smallest mistake  
 set her back in the eyes of her  
 white classmates. 
 She  was  never  going  to  be  
 white. So why try? 
 For  centuries,  she  says,  white  
 people  have  told  Hispanic  and  
 Black  people  that  if  they  worked  
 hard,  that  “everything  was  possible,” 
   and  they  said  that  while  
 they  were  making  it  impossible  
 for  anyone  with  darker  skin  to  
 get  ahead.  As  a  result,  people  
 of  color  relinquished  their  culture  
 and  language with  hopes  of  
 assimilation  or,  at  least,  acceptance. 
  They stopped speaking their  
 native tongue, while white schools  
 proudly  taught  it  in  “dual-language… 
   programs.”  Most  bruisingly, 
   the  system  resulted  in  a  
 widely-held  preference  for  lighter  
 skin,  and  not  just  in  the  U.S.:  
 a  similar  preference  “infiltrates”  
 Mexican life, too, says Arce. 
 The solution, she suggests, is to  
 stop trying to assimilate, period. 
 “There  is  so  much  power  in  
 the  uniqueness  of  our  names,  
 our  food, our heritage,”  she  says.  
 “Only when we  refuse  to  change  
 and  instead  recognize  the beauty  
 that  has  been  passed  down  to  
 us  will  we  truly  find  acceptance  
 within ourselves.” 
 When you approach “You Sound  
 Like a White Girl” and prepare to  
 dive  in,  be  sure  to  leave  your  
 assumptions  at  the  door.  Author  
 Julissa  Arce  is  going  to  make  
 you examine everything you ever  
 thought about your natal culture,  
 no matter what your origins. 
 And  she does  it with  an  angry  
 eloquence  that  makes  you  wonder  
 why  anyone would  ever want  
 ‘You  Sound  Like  a  White  Girl’  
 author, Julissa Arce.  Aly Honore 
 to work so hard to fit in, anyhow.  
 Through  her  own  personal  stories, 
   history,  and  research,  she  
 lets readers know that they’re not  
 alone  in  their  efforts  to  assimilate, 
   that  their  frustration  is  not  
 unique,  and  that  there’s  ample  
 reason to quit the fight. It comes  
 with  a good amount of pride and  
 not just a few surprises. 
 While  this  book  may  seem  
 like  it  could  have  a  “No  Whites  
 Allowed”  sign  hidden  somewhere  
 on  the  cover,  nothing  could  be  
 further  from  the  truth.  To make  
 our  society  better,  letting  everyone  
 of any  race  read  “You Sound  
 Like a White Girl” is key. 
 “You  Sound  Like  a White  
 Girl: The Case  for Rejecting  
 Assimilation” by Julissa Arce 
 c.2022, Flatiron Books 
 $27.99 
 208 pages 
 Book cover of “You Sound Like a White Girl” by Julissa Arce. 
 Made in NYC showcased at Fashion Week Brooklyn 
 By Nelson A. King 
 Fashion  Week  Brooklyn  was  
 showcased  on Friday, April  1  at  
 the Made  in NYC  collections  at  
 the IW Gallery in Brooklyn. 
 According  to  Sarah  A.  Freiseis, 
   special  projects  manager  
 at  the  Brooklyn-based  entertainment  
 company, Paybookmg. 
 com, Made  in  NYC  is  the  Pratt  
 Center for Community Development’s  
 local  branding  initiative  
 that “supports and advocates for  
 local manufacturers and makers  
 in the community. 
 “The  participating  designers  
 in  the  runway  show  represent  a  
 wide  variety  of  fashion  categories,” 
  she said. “From workwear  
 to  accessories  and  a  range  of  
 materials  from  high-end  Italian  
 fabric  to  recycled plastic  for  
 handbags,  the  diversity  of  stylistic  
 approaches  is  on  full  display.” 
 Featured Designers 
 Freiseis  told  Caribbean  Life  
 that  featured  designers  and  
 labels included NOORISM, Ameliora, 
  D. Webb Designs, UQNATU  
 and Hip Hop Closet. 
 “Fashion Week  Brooklyn  is  a  
 bi-annual  showing  of  international  
 collections  powered  by  
 the BK Style Foundation  and  is  
 one of the leading fashion events  
 showcasing  the  talent  of  aspiring  
 and  established  designers  
 from across the globe,” she said. 
 Freiseis  said  designers  and  
 brands  work  with  the  Made  in  
 NYC initiative in New York City,  
 “providing  a  product  pipeline  
 to  approximately  1,500  fashion  
 manufacturers  throughout  the  
 five boroughs.” 
 She  said  that,  after  the  runway  
 presentation,  there  was  a  
 fundraiser  and  an  after-party  
 at  the  Box  Factory  for  Denim  
 Night Out  in  support  of Denim  
 Day NYC. 
 “For  over  a  decade,  Denim  
 Day  NYC  has  been  recognized  
 during  Sexual  Assault  Awareness  
 Month,”  Freiseis  said.  “It  
 is a coalition of survivors, advocates, 
   community  organizations, 
  city council members, and  
 city  agencies  working  together  
 to  raise awareness  about  sexual  
 assault.” A worker at the Timberlake Studios.  Jacob Grumulaitis