
 
        
         
		Actress Aixa Kendrick pays tribute to iconic women 
 Aixa Kendrick portrays Jamaican actress Grace Jones.  
 Frank Good 
 Continued from Page 29  Continued from Page 29  
 “This track is a fusion of the  
 sounds within the dancehall and  
 country music space, with the  
 simple message: despite hardships, 
  the human spirit survives  
 — an apt message in a time  
 where many are facing some of  
 the toughest conditions they’ve  
 ever known due to the global  
 pandemic,” added the chief executive  
 officer of Destine Media. 
 “Wesrok is a retired superintendent  
 of police and a holder  
 of  multiple  degrees,  which  are  
 mere exhibits of his bravery and  
 drive for success,” Tomplinson  
 continued. “This bravery is also  
 evident in his creative life, as he  
 continues to push the boundaries  
 of what is considered Jamaican  
 music with his signature  
 country reggae sound.” 
 She said Wesrok’s premise of  
 his musical philosophy is solid:  
 “country music has always been  
 an outlet for stories of rural  
 life — something that is evidenced  
 by the deep connection  
 rural Jamaicans have always had  
 with classic country artists like  
 Kenny Rogers, Johnny Cash,  
 Dolly Parton and more.” 
 As a fan of country music,  
 Tomlinson said Wesrok “had the  
 bravery  to  take  it  even  further  
 than  ‘fandom’  and  pursue  creating  
 a brand of country that  
 could stand as Jamaican.” 
 She said Wesrok has cultivated  
 his following diligently since  
 entering the music scene, “using  
 only good music, with his latest  
 album ‘Look at Me Now,’ which  
 had songs like ‘Poor Country  
 Boy,’ ‘Born As A Winner,’ ‘Left  
 Out In The Dark’ and more.” 
 For Wesrok, “Try to Hold Me”  
 is meant to uplift. 
 “Through the years, I have  
 been through the struggles,” he  
 said. “Now, my pain has made  
 me stronger. 
 “I  want  to  use  my  life  to  
 inspire people  to be  strong and  
 push  forward,  and  always  to  
 make this world a better place.  
 That is all that matters.” 
 Tomlinson said: “Now, more  
 than ever, the world needs a  
 message of hope, and Wesrok is  
 committed to playing his part  
 as someone who is intimately  
 familiar with struggle.” 
 Caribbean L 30     ife, OCTOBER 22-28, 2021 
 Freisei  said  Intence’s  
 breakout  single,  “Seh  Dem  
 Real,”  on  the  Sed Way  Riddim  
 helped  him  step  into  
 the limelight in the summer  
 of 2019. 
 She said that success was  
 followed  by  the  release  of  
 several hits, including “Weh  
 Dem Know,” “Dolla Bill,”  
 and “Dream Life.” 
 “Bringing  more  visibility  
 to  artists  like  Intence  
 is  exactly  what  Audiomack  
 is  all  about,”  Freiseis  said.  
 “Audiomack  Caribbean  is  
 a  division  of  the  business,  
 focused  on  supporting  the  
 region’s music, culture, and  
 artistry. 
 “The  company  is  recognized  
 as  a  platform  for  
 digital  music  and  exclusive  
 content  that  serves  to  
 inform  and  influence  the  
 audience,” she added. “With  
 more than 12.5 million daily  
 active  users,  it  has  become  
 an  entertainment  source  
 with  global  reach  and  tech  
 notoriety.” 
 The series of videos can now  
 be seen on social media. 
 For Kendrick – Audelco  
 Award winning Best Actress for  
 the Off Broadway production  
 of  Oya:    Warrior  Wind  Goddess  
 and  winner  of  last  year’s  
 Best Actress award at The Harlem  
 Hip Hop Film Festival for  
 the short film  The  Company  
 You Keep – her involvement in  
 both projects was a life changing  
 opportunity to celebrate the  
 work and legacy of two women  
 she has long admired and whom  
 she describes as “transformational  
 and trailblazing.” 
 “I’m  thoroughly  humbled,  
 and  frankly,  over  the  moon  
 with joy to sit in this moment  
 in my career to pay tribute to  
 these two legends on back to  
 back projects,” she says.  “As  
 an  actor  and  multi-disciplinary  
 artist, I’m always drawn  
 to opportunities  that highlight  
 and portray strong, determined  
 women. Grace Jones and Kathryn  
 Bigelow epitomize that in  
 every way.” 
 From humble beginnings in  
 Jamaica,  Jones  rose  to become  
 one of the most unique and  
 controversial figures of beauty  
 and style for her own and future  
 generations. She was one of the  
 first women of color to openly  
 embrace her androgyny and,  
 according to Kendrick, “Whether  
 in fashion, music, or her roles  
 in films such as Boomerang or  
 as a Bond villain for the ages in  
 A View To A Kill, she paved the  
 way for a new generation of artists 
  especially black artists like  
 myself-to own and embrace the  
 beauty of our diversity. We are  
 deeply in her debt.” 
 Kendrick booked the shoot  
 after liking several of photographer  
 Frank Good’s posts on  
 social media. He contacted her  
 to ask if she would be interested  
 in working with him to  
 celebrate the essence and style  
 of Jones. Once the photos went  
 viral- including one of Kendrick  
 dressed in a two piece men’s  
 suit and uncannily re-creating  
 a look made iconic by Jones  
 decades ago- OSSMA Magazine  
 reached out and subsequently  
 created the spread which has  
 been seen worldwide to great  
 reviews. 
 Of Bigelo – two time Oscar  
 winning director and producer  
 of the acclaimed war drama  
 The Hurt Locker  and the first  
 woman ever to win the Academy  
 Award for Best Director  
 – Kendrick draws several parallels  
 with her and Jones as  
 women  who  challenged  the  establishment by being  true  to  themselves,  trusting  and  following  
 their own vision and  
 thereby  changing  the  perception  
 and  position  of women  in  
 the industry. 
 “Before  Kathryn  Bigelow,  
 women were hardly ever afforded  
 a seat at the Hollywood table  
 as equal creators and directors  
 of major studio projects…  
 and even when we were, we  
 were relegated to regurgitating  
 content that was  deemed  
 for ‘female audiences,’ which  
 meant endless tear jerking dramas  
 or  fluffy  romantic  comedies. 
  With  The Hurt Locker,  
 Ms Bigelow swooped in packing  
 a big, muscular war epic punch  
 with  an  all  male  cast  in  tow  
 and super charged the world.  
 Like Grace Jones, she dared to  
 follow her story and kicked ass  
 doing it, offering little girls and  
 emerging artists the hope and  
 vision of what is possible. So to  
 be directed by her on this exciting  
 project for the Apple iPhone  
 13 Pro is essentially a dream  
 come true for me. Like Grace  
 Jones, she’s changed the industry  
 and we’re better for it.” 
 The video- or “mini movie”  
 as Kendrick calls it- was conceived  
 and crafted by Bigelow  
 and shot by Oscar nominated  
 cinematographer Greig Fraser  
 (Zero Dark Thirty, Lion, Rogue  
 One).  
 Continued from Page 29  
 Wesrok ‘Try to Hold Me’ ‘BLESS THE YAAD’ 
 Dancehall Artist Intence.  Shotbydeth