By Nelson A. King
Trinidadian soprano Jeanine
De Bique has in recent years
gained international recognition
for her “dramatic presence
and versatility,” and “sheer
endless wealth of colour and
nuances … a radiant, freefloating
timbre.”
De Bebique says on her webpage
that the season 21/22
commenced with role and
house debuts as Poppea in
Monteverdi’s L’Incoronazione
di Poppea, with the Budapest
Festival Orchestra and Iván
Fischer in Budapest, Geneva
and Vicenza, followed by the
title role in Handel’s Alcina
in Robert Carsen’s acclaimed
production at l’Opera national
de Paris, conducted by Thomas
Hengelbrock.
De Bique says she is also
“looking forward to new collaborations”
New Year...
New Career!
Caribbean L 32 ife, January 7-13, 2022
with the Los Angeles
Philharmonic and Gustavo
Dudamel, Martin Fröst and the
Swedish Chamber Orchestra,
the Vienna Philharmonic and
Herbert Blomstedt, the WDR
Symphony Orchestra and two
recitals with pianist Gerold
Huber for the Cincinnati Song
Initiative and at Carnegie Hall,
which will also be her solo
debut at this hall.
Her first solo-CD, with
Concerto Köln, was released
in October by Berlin Classics,
followed by concerts in early
2022.
De Bique said the season will
conclude with a role and house
debut at the Aix-en-Provence
Festival.
In 2020/21, she says she
gave “house and role debuts”
as Agathe in Weber’s Der Freischütz
with Konzerthausorchester
Berlin and Christoph
Eschenbach, Bess/Porgy and
Bess and as La Folie in Robert
Carsen’s celebrated production
of Rameau’s Platée at Theater
an der Wien, conducted by William
Christie, also presented in
concert at Teatre del Liceu in
Barcelona.
De Bebique also says she performed
excerpts from Porgy and
Bess with the Rotterdam Philharmonic
and with the Orchestra
of the Accademia Nazionale di
Santa Cecilia in Rome, both conducted
by Wayne Marshall, and
returned to Theater St Gallen
as Cleopatra in Handel’s Giulio
Cesare.
In the US, De Bique performed
Beethoven’s Symphony
no 9 at the Aspen Music Festival
and gave her debut with Houston
Grand Opera in excerpts from
Rodgers and Hammerstein’s The
Sound of Music and a program
of works by Handel and Mozart,
conducted by Patrick Summers.
Since her breakthrough debut
at the 2017 Salzburg Festival
as Annio in Peter Sellar’s production
of La Clemenza di Tito,
conducted by Teodor Currentzis
and subsequently shown at De
Nationale Opera Amsterdam, De
Bique says she has appeared as
Susanna/Le Nozze di Figaro for
San Francisco Opera, Helena in
Ted Huffman’s production of A
Midsummer Night’s Dream at
Deutsche Oper Berlin, conducted
by Donald Runnicles, in the
title role of Handel’s Rodelinda
at Opéra de Lille, conducted by
Emmanuelle Haïm.
She says she has also released
on DVD by Erato (winner of the
Opus Klassik Award 2020), as
Donna Anna in Don Giovanni
for Opéra National du Rhin and
as Aida in the world premiere of
Caruso a Cuba by Micha Hamel
in a return to De Nationale Opera
Amsterdam.
De Bique’s concert highlights
include Brahms’ Ein deutsches
Requiem with Raphaël Pichon
at La Seine Musicale in Paris
and with Lorin Maazel and the
Munich Philharmonic; and
Mahler’s Symphony no 2 with
the Orchestre National du Capitole
de Toulouse under Tugan
Sokhiev in Toulouse.
Trinidadian soprano
Jeanine De Bique gains
international acclaim
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