
 
		28 
 COURIER LIFE, APRIL 1–7, 2022 
 Documental theater program at  
 senior center offers glimpse of past 
 BY XIMENA DEL CERRO 
 An arts festival of life experiences  
 is in the making in North  
 Brooklyn. 
 After  collecting  countless  
 memories  from members,  a new  
 documental  theater  program at  
 the Ridgewood Bushwick Senior  
 Center will culminate in an early  
 summer film festival putting lifetimes  
 of experiences on display. 
 As part of the two-hour  
 weekly program, called “Brooklyn  
 Today/Brooklyn Hoy,” older  
 adults meet to recount their life  
 experiences, and share perspectives  
 on what it’s like to live in  
 Brooklyn as a senior today. The  
 group — currently made up of  
 10  seniors  —  is  guided  by  actor  
 and artist-in-residence at CUNY  
 Queens College, James Clements,  
 who asks participants a series of  
 questions that evolve into conversations  
 in both English and  
 Spanish. 
 The group’s testimonies will  
 be shaped into short one-person  
 theater projects for their families  
 and friends to see. 
 Seniors are among the groups  
 most affected by the ongoing  
 coronavirus pandemic, and at  
 the  start of  the outbreak,  countless  
 New York City elders were  
 forced to remain isolated for several  
 months, as COVID-19 posted  
 a more significant threat to them  
 than younger people. 
 Community organizations remain  
 one of the best sources of  
 help for older adults, according to  
 the  National  Council  on  Aging,  
 as they may help prevent depression  
 and significantly reduce the  
 risks of premature mortality. 
 “We sometimes don’t have  
 anyone to talk to, but here we  
 talk about everything,” said program  
 participant Nancy Jacome.  
 “We go back to our past and visit  
 memories that let us leave here  
 feeling happy.” 
 The program is designed to  
 first look into areas of interest  
 chosen by participants, and empower  
 them to speak out on current  
 issues in Brooklyn.  
 “We worry about how we are  
 going to pay rent and how everything  
 is so expensive now, how  
 there is violence in schools, and  
 streets are not safe,” said group  
 member Mercedes Ramos.   
 Later stages of the project will  
 help  interviewees connect with  
 members  of  their  communities  
 which they’ll then choose to interview  
 themselves. The results  
 will be turned into short theater  
 pieces in the format they choose  
 such  as  voiceovers, demonstrations  
 or monologues. 
 “We often talk about our countries  
 of origin, our childhoods,”  
 said  Irma  Betancourt,  the  program’s  
 English-to-Spanish translator. 
  “We want more people to  
 join because we know, here in  
 Bushwick, we have so much in  
 common.” 
 The program’s organizer, Clements, 
  said the project was originally  
 supposed to be community 
 centric, but within three  
 sessions, he found the artistic  
 value in the material shared by  
 the seniors. 
 “They are keeping me on my  
 toes as an artist, writer, and facilitator,” 
  said Clements, who  
 specializes in documentary theater. 
  “I think something that I  
 am guilty  of — and  our  culture  
 is guilty of — is treating older  
 folks as if they’re invisible, or at  
 the very least as if their learning  
 and their growth is done. I don’t  
 think it’s necessarily done maliciously, 
  but it is far from that.  
 They have very strong opinions  
 and they have the experience to  
 back it up.” 
 Though the group is well into  
 the  project,  Clements  said  he’s  
 hoping to include even more seniors’ 
  stories. 
 To join the program — which  
 takes place each Tuesday from 10  
 am to noon — older adults are invited  
 to visit the Stanhope Street  
 senior center, which also provides  
 a warm meal and transportation  
 for just $1. 
 “Here, I feel less stressed than  
 at home,” said Ridgewood Bushwick  
 Senior Center member Luis  
 Arriaga. “I feel like my mind  
 opens up and I think about stuff  
 other  than  my  everyday  problems.” 
 BY CATE CORCORAN 
 A Fort Greene offshoot of  
 the  beloved  Bed-Stuy  eatery  
 Saraghina opened to the public  
 last week. 
 Inspired by turn-of-the-lastcentury  
 cafes in Milan, where he  
 was born, Saraghina founder (and  
 former creative director of fashion  
 firm Tocca) Edoardo Mantelli  
 promised Saraghina Caffè would  
 look like one of those essential  
 cultural institutions, and it does. 
 There is  a high wainscot of  
 dark wood paneling throughout,  
 tall white ceilings, an imposing  
 bar with green marble top, a midcentury  
 modern chandelier, and  
 diamond-pattern black and white  
 floors. The menu features an extensive  
 raw bar, snacks and appetizers, 
  as well as more substantial  
 pastas and mains. The most  
 unusual sounding of the three  
 pizzas is the Sabauda, with escarole  
 and the creamy anchovy-garlic  
 sauce known as bagna càuda.  
 Desserts include meringue with  
 berries and whipped cream. 
 Unusually, they take reservations  
 for  cocktails  or  dinner,  
 although not a few nights are already  
 booked weeks ahead. Parties  
 larger than two may have better  
 luck going in person to book a  
 table for later that evening. 
 The space, at 195 Dekalb,  
 was previously home to beloved  
 longtime  restaurant  Madiba.  
 Saraghina opened in Bed-Stuy in  
 2009 and expanded into two adjacent  
 spaces with a bakery and bar  
 in 2014 and 2015. 
 James Clements  is  a Scottish actor, writer and  theatermaker based between  
 New York and the UK. He practices verbatim interviews and documentary theater. 
   James Clements 
 The new Fort Greene offshoot of the beloved BedStuy eatery Saraghina. Photo by Cate Corcoran 
 Of lives lived 
 Saraghina Caffè opens in Fort Greene 
 BROOKLYN 
 Turning a corner