
 
		Swagger, Posh & Elite ‘Drippy’ 
 Caribbean Life, MARCH 5-11, 2021 33  
 By Terri Schlichenmeyer 
 A  couple  weeks  ago,  you  
 really  needed  to  wrap  up  in  
 some extra blankets. 
 One layer, two layers, covered  
 face and a cold nose. Extra  
 blankets, extra sweaters, coats,  
 socks, gloves, it took awhile to  
 thaw yourself out and  in  “The  
 Fabric of Civilization” by Virginia  
 Postrel,  you’ll  see  where  
 those snuggly wraps started. 
 Many  thousand  years  ago  
 —  long  before  your  need  for  
 insulated  gloves  and  a  knitted  
 hat — the tale of textiles began  
 when  early  humans  invented  
 string.  But  string,  as  Postrel  
 points out, “is not cloth.”  
 Nope, and it takes a lot of gathering  
 to  obtain  enough material  
 You Wear It Well 
 to  make  enough  string  
 for the making of cloth, tasks  
 that were easier once humans  
 started  keeping  livestock  eleven  
 thousand years ago. 
 Accidental genetics are likely  
 what made cotton “the world’s  
 dominant…  ‘natural’  fiber”  
 but that took awhile, too. Scientists  
 say that the usefulness  
 of the plant was known on several  
 places  at  various  times  in  
 history but it wasn’t until 1806  
 that  a  species  nearly  tailormade  
 for the soils and growing  
 season  of  the  Mississippi  
 delta was found in Mexico City  
 and  was  brought  to  America.  
 Genetics  confirmed  that  that  
 seed  had  come  from  an  African  
 seed  that  had  “somehow”  
 gotten  to  Mexico  and  germinated, 
  then had cross-pollinated. 
   Further  cross-pollination  
 in the South made it the plant  
 from  which  slaves  harvested  
 the fiber. 
 Remember,  though:  raw  
 fiber  is  no  good  unless  it’s  
 processed,  which  was  mostly  
 women’s  work  for  centuries.  
 Their  spinning  led  to  weaving, 
   which  took  a  surprisingly  
 advanced  knowledge  of math- ematics.  The  use  of  dyes  was  
 Book  cover  of  “The  Fabric  of  Civilization’  by  Virginia  
 Postrel. 
 perfected  (and  contentious),  
 and  new  methods  of  making  
 fine  cloth  were  invented  
 and  refined.  Hand-spinners  
 were replaced by technology,  
 ancient  cities  were  conquered  
 for  want  of  weavers,  clothmaking  
 became  a  way  to  pay  
 taxes  and  participate  in  trade,  
 and  the  race  was  on  to  make  
 fabric in a laboratory. 
 And in the future?  
 There  are  “hints,”  says  Postrel, 
   of  “a  change  in  the  relationship  
 between pure  science  
 and industry practice.” 
 This morning when you got  
 dressed,  you  picked  a  comfortably  
 soft  shirt,  avoided  
 the  scratchy  sweater,  put  the  
 worst-fitting jeans back in the  
 drawer, and didn’t think much  
 about  how  these  things  got  
 into  your  closet.  “The  Fabric  
 of Civilization” will make you  
 appreciate that path, in a centuries 
 long thread of progress.  
 Some  of  what  you’ll  find  
 in here  is  common knowledge  
 — it’s likely stuff you learned  
 in history class — but author  
 Virginia  Postrel  also  weaves  
 surprises  into  her  narrative.  
 Read, and you’ll be glad you  
 don’t have to make flax thread  
 from scratch. Read, and imagine  
 being  a  weaver  during  
 Genghis  Khan’s  time.  Read,  
 and it’s hard not to be transfixed  
 by the stories behind a  
 natural  silk  kimono,  an  elegant  
 jacquard robe, or stoles  
 made of kente cloth by weavers  
 who  created  them  in  the  
 same  way  their  foremothers  
 did. These are all good yarns,  
 told so appealingly. 
 So grab  that blanket  again.  
 Crafters, fashionistas, and historians, 
   heads  up  and  take  a  
 chair:  “The  Fabric  of  Civilization  
 is  a  book  to  wrap  your  
 hands around. 
 “The Fabric of Civilization: 
  How Textiles Made  
 the  World”  by  Virginia  
 Postrel 
 c.2020,  Basic  Books  
 $30.00 / $38.00  
 Canada  
 305 pages 
 Fabric of Civilization’s author, Virginia Postrel.  Sonya Katarina Isenberg 
 fresh black fur coat and had  
 the eyes of everybody in the  
 room, including Johnny Nunez  
 of  Getty  Images,”  Head  said.  
 “The  star  appeal  of  the  young  
 Dominican  artist captured the  
 attention of the room. 
 “All  eyes  were  on  her,  and  
 the  buzz  created  excitement  
 for the anticipation of Mariah  
 Lynn,” Head added. “When  
 Mariah  made  her  appearance,  
 the place lit up, and the video  
 for ‘Drippy’ was unveiled.” 
 Head said the “turn-up vibes  
 of the video and the attractive  
 looks of the duo left attendees  
 impressed.” 
 Not able  
 attendees at  
 the premiere  
 i n c l u d e d  
 Daniel Jean,  
 Ms.  Penny  
 and  Marie  
 Driven,  the  
 H a i t i a n  
 Amer ic an  
 managing  
 partner  of  
 Playbook- 
 MG. 
 “ M i k e  
 S w a g g e r,  
 chief executive officer of Posh  
 & Elite, left a quality experience  
 for all people to remember,” 
  Head said. “Keep his name  
 in mind for all quality events in  
 the future.” 
 Continued from Page 31  
 Mariah Lynn, left, and Dionni6x.   KPShotit