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 XXXTENTACION 
 KIDS SEE GHOSTS 
 KIDS SEE GHOSTS 
 Presented by 
 wireless 
 ‘LEONORA’ 
 Caribbean L 38     ife, May 31–June 6, 2019 BQ 
 DuVernay and the rest of the  
 cast for the first public screening  
 of part one of a four-part  
 miniseries. 
 DuVernay  introduced  
 Winfrey and an all-star cast  
 during a preview address to  
 the papered crowd – most of  
 whom on seeing the billionaire  
 broadcast mogul spontaneously  
 burst into applause  
 and a standing ovation. 
 Their enthusiastic greeting  
 spoke volumes about the role  
 she played in green-lighting  
 production of a crime story  
 that polarized New York when  
 an investment banker named  
 Patricia Miele was found badly  
 beaten  in  Central  Park  on  
 April 19, 1989. 
 “When They See Us” is the  
 title of the docudrama featured  
 through reenactments  
 to  recall  the  controversial  
 case. 
 Newspaper reports all but  
 indicted Antron McCray, Raymond  
 Santana, Kairey Wise,  
 Kevin Richardson and Yusef  
 Salaam with frequent inflammatory  
 frontpage  coverage  
 and damning editorials. 
 Assistant District Attorney,  
 Linda Fairstein, the lead prosecutor  
 tasked with sex crimes  
 seemed resolute in making the  
 case against the juveniles. 
 Then head of the division  
 despite lack of matching DNA  
 evidence, she seemed determined  
 to convict the youths  
 despite lack of corroborating  
 statements and apprehensive  
 support from her colleague,  
 ADA Elizabeth Lederer. 
 Reasonable doubt did not  
 dispel  the  pervasive  atmosphere  
 of  fear  that  overwhelmed  
 the city.  
 The  fear  of  minorities  
 “wilding”  through  a  landmark  
 locale demanded urgency  
 from Mayor Edward I Koch  
 and  the  prosecuting  office  
 headed  by  DA  Robert  Morgenthau. 
 Perhaps  in  his  effort  to  
 make New York great again,  
 citizen Donald  Trump  placed  
 a full-page ad in the New York  
 Times newspaper in which he  
 damned  the  juveniles,  professed  
 their guilt and called  
 for their execution. 
 have  this  entire  cast  onboard,  
 to  bring  to  life  this  incredible  
 script by playwright David  
 Stallings.” 
 Nehassaiu deGannes, who  
 is  of  Dominican  descent,  will  
 appear  as  Leonora  Hartell.  
 deGannes was most recently  
 seen at the Alabama Shakespeare  
 Festival  in  Romeo  and  
 Juliet and Our Town. She has  
 also  appeared  Off  Broadway  in  
 “Is God Is” (Soho Rep) and “The  
 Balcony”  (Red  Bull),  as well  as  
 regionally in “Intimate Apparel” 
  (Shakespeare and Company)  
 and “Sweat” (Cleveland Playhouse). 
 Jamaican born David Heron  
 will play Dr. Mike Newell, close  
 friend to the Hartells. Heron’s  
 Off  Broadway  credits  include  
 “The Winter’s Tale” (New York  
 Classical), “The Emperor Jones”  
 (Irish Rep) and his own play  
 “Love and Marriage and New  
 York City” (Billie Holiday Theatre). 
  He has been seen regionally  
 in “Romeo and Juliet” (Shakespeare  
 Festival St. Louis) and  
 “Marley — The Musical” (Baltimore  
 Centerstage). 
 Grenadian  born  Oneika  
 Philips appears as Kalisa Williams, 
  childhood friend to Leonora, 
  and has the distinction of  
 being the first ever actress from  
 her country to appear on Broadway. 
  She was last seen onstage  
 in  the  Broadway  production  of  
 SpongeBob SquarePants — The  
 Musical. Her additional Broadway  
 credits include “Amazing  
 Grace” and “Fela!” She has also  
 appeared in national and international  
 tours of Fela! and West  
 Side Story, and portrayed Anita  
 in “West Side Story on London’s  
 West End.” 
 Lisa Tharps, of Barbadian  
 descent, is cast as Vinisha, caregiver  
 to the Hartell children.  
 Tharps has appeared on Broadway  
 in “King Hedley 11” and  
 “Romeo and Juliet” and was seen  
 most recently in “The Royale” at  
 Geva Theatre in Rochester New  
 York. Her other regional credits  
 include “A Midsummernight’s  
 Dream”  (Shakespeare  Theatre  
 of DC) and “Medea” (Boston  
 Court). On television, she has  
 appeared  in  Marvel’s  “Jessica  
 Jones,” “Power” and “Elementary” 
  among others. 
 Aya Spence, a successful child  
 actress and model of Jamaican  
 descent,  portrays  Emma  
 Hartell,  Leonora’s  daughter.  
 She has appeared in the television  
 series “A Crime To Remember” 
  as well as in campaigns for  
 Target, J.Crew and Little Marc  
 Jacobs. 
 Completing the cast are Brad  
 Fraizer (The Winter’s Tale Off  
 Broadway, Marvel’s Luke Cage  
 on television) as Leonora’s husband  
 Tristan Hartell, and James  
 Duke Walker  (BRO  at Manhattan  
 Repertory Theater and television’s  
 The Marvelous Mrs.  
 Maisel ) as Tristan’s employee,  
 Shamar Campbell. 
 This staged reading production  
 of “Leonora” is sponsored  
 by New York City Council Member  
 Bill Perkins and the NYC  
 Council  Cultural  Immigrant  
 Initiative. 
 The Williams Institutional  
 CME Church is located at 2239  
 Adam  Clayton  Powell  Jr  Blvd.  
 at 132nd Street, New York, NY,  
 10027. 
 Admission to the reading is  
 free. 
 Reservations can be made at  
 nyclassical.org/Leonora. 
 Continued from Page 37  
 Continued from Page 37  
 their grays. Roman women used  
 leeches fermented in vinegar as  
 a dye. Wealthy women a century  
 ago had servants do their  
 ‘do’s; just 60 years ago, few people  
 washed their hair more than  
 once a week and most women did  
 their hair at home. 
 Says Bolick, America’s first hair  
 salon belonged to Martha Harper,  
 who’d inherited a secret formula  
 for hair growth in the late 1880s.  
 During Harper’s time, women  
 grew  their  hair  as  long  as  possible; 
  short hair was “a sign of poverty.” 
  For Black women, Madame  
 C.J. Walker’s potions and pomades  
 revolutionized how their hair was  
 styled, and she became a millionaire  
 for it. 
 In the 1950s and 60s, though,  
 Vidal Sassoon and Vogue magazine  
 made going to the salon a  
 thing every woman wanted to do:  
 getting your hair styled at a salon  
 was suddenly affordable, and stylists  
 were believe to be specialists  
 with skills — even though, at the  
 same time, people often callously  
 thought that styling hair was a  
 career for those lacking intelligence. 
 Today becoming a hair stylist  
 takes a lot of hard work, training, 
  and keen people skills. You’ll  
 have to get a certain amount of  
 schooling, depending on the state  
 in which you want to practice, and  
 you’ll learn the basics first, followed  
 by human anatomy, sanitation, 
  and chemistry. You’ll get tons  
 of hands-on experience, and if you  
 want to style African American  
 hair, you may take extra classes  
 before tackling a two-part licensing  
 test. Once you’ve done that,  
 says Bolick, “the sky is the limit.” 
 Continued from Page 37  
 Actress Nehassaiu deGannes will appear in the title role of  
 the staged reading of “Leonora.”  
  Hair stylist Central Park jogger 
 Book cover of “Becoming a  
 Hair Stylist” by Kate Bolick. 
 
				
/Leonora