New toy store and play studio opens in Clinton Hill 
 BY KEVIN DUGGAN 
 A new toy store and play  
 studio  opened  in Clinton Hill  
 in Brooklyn on Nov. 9. Toyish  
 Lab debuts at Gates Avenue  
 and St. James Place and will  
 offer pent up kids and grownups  
 a chance to play and get  
 creative, while adhering to  
 COVID-safety  rules,  according  
 to the business’s founder  
 and CEO. 
 “COVID-19 has kept us  
 stuck inside for months, so we  
 feel that now is the right time  
 to share a safe space with the  
 community where kids can express  
 themselves  creatively,”  
 said Assaf Eshet in a statement. 
 The play haven is focused  
 on  Eshet’s  creation  
 called  Clixo,  a  building  toy  
 KIDS 
 Toyish Lab at 109 Gates Ave. at  
 St. James Place in Clinton Hill,  
 Brooklyn, www.myclixo.com.  
 Open Monday-Friday 11 am-6  
 pm. Weekend hours available  
 upon enquiry. To schedule a  
 reservation, email hello@myclixo. 
 com. 
 that’s  somewhere  between  
 origami  and  classic  blocks,  
 which allows for open-ended  
 fun and imagination, according  
 COURIER L 26     IFE, NOV. 13–19, 2020 
 to the designer. 
 “With our new space, kids  
 and adults alike can experience  
 fi rsthand the freeing  
 nature of Clixo and how it’s  
 changing the way we play,”  
 he  said.  “For  so  long  we’ve  
 had this perfectionist mindset  
 around life, but we are building  
 the tools to help everyone  
 get back to open-ended play  
 and imaginative thinking.” 
 The  workshop  includes  a  
 full  magnetic  wall  to  hang  
 creations, modular pedestals  
 for individual playtime, and  
 chandeliers built entirely out  
 of Clixo. 
 To maintain a safe environment  
 amid the pandemic, Toyish  
 Lab follows all guidelines  
 of the Centers for Disease Control  
 and Prevention. 
 All visitors will have their  
 temperatures  checked  upon  
 entry and must sign a contact  
 tracing waiver. Masks and social  
 distancing are required  
 at all time, and the studio will  
 provide hand sanitizer and  
 three separate sinks for hand  
 washing. 
 The company has also installed  
 an advanced air fi ltration  
 system. 
 They  highly  encouraging  
 scheduling a visit in advance,  
 but individual or small group  
 walk-ins are allowed, according  
 to the fi rm. 
 BY MEAGHAN MCGOLDRICK 
 At a time when local creators  
 are struggling bring  
 their visions to life during  
 the pandemic, one Red Hook  
 fi lmmaker  managed  to  shoot  
 an  exciting  murder-mystery  
 while  still  safely  adhering  to  
 social distancing mandates. 
 By enforcing six-feet of separation  
 between castmates,  
 cutting down on non-essential  
 crew, and testing everyone  
 regularly, “Indie” artist  
 Elias  Plagianos  fi nished  off  
 the pilot of “Hudson Falls,”  
 a crime drama about an LGBTQ  
 science professor who  
 mysteriously quits her job at  
 a university and opens a craft  
 brewery. The show’s protagonist  
 quickly fi nds herself in  
 a tricky predicament when a  
 private eye comes to town, and  
 the secrets of her small upstate  
 college town begin to unravel. 
 Plagianos fi lmed the series’  
 fi rst episode — starring Richard  
 Kind, Jessica Hecht, and  
 Tara Westwood, among others  
 — while adhering to the state’s  
 COVID-19  guidelines,  which  
 forced the fi lmmakers  to  get  
 creative, according to Plagianos, 
  whose roots in Red Hook  
 go back at least a decade to his  
 work  on  the  fantasy-thriller  
 “The Crimson Mask.” 
 “We actually wrote this  
 project to be shot in this sort of  
 crazy world,” he said. 
 Adding  to  the  complications, 
   the  artist  was  forced  to  
 limit the amount of one-onone  
 scenes to keep the show on  
 track — which was not ideal  
 for television, but was aided  
 by the sprawling North Brooklyn  
 warehouse where the fi lmmaker  
 shoots most of his work.  
 And with “virtually no crew  
 at all,” Plagianos also had to  
 push through fi lming  quickly  
 to avoid blowing their budget  
 on repeated COVID testing. 
 “It had to be incredibly  
 quick because the COVID exams  
 were very expensive and  
 you needed to do it every three  
 days, so we had to wrap the entire  
 production in one week or  
 we would have lost all of our  
 money on that,” he said. “But  
 on the fl ip side, because we had  
 such a short window of fi lming, 
  we were able to get this incredible, 
  dream-like cast.” 
 The  “Swiss  Army  Knife”  
 crew consisted of just a cinematographer, 
  sound recordist,  
 and prop master, and they all  
 kept at least six feet from each  
 other, as well as  the actors —  
 who even did much of their  
 own hair and makeup. 
 “Everyone worked together  
 to say ‘how can we pull this  
 off?’” said Plagianos. 
 One of the show’s stars,  
 Tara Westwood, was even integral  
 in streamlining  the fi lming  
 process, Plagianos said. 
 The actor and producer —  
 known for roles in productions  
 like “The Grudge” and “Law  
 and Order” — helped the crew  
 at “Hudson Falls” research  
 newer, faster COVID testing,  
 that  she ultimately convinced  
 the Screen Actors Guild to  
 okay for fi lming. 
 “We started the week New  
 York allowed production, and  
 we  jumped  in  there  with  this  
 crazy plan, and we had to do it  
 under very strict SAG rules —  
 and they required a really specifi  
 c COVID exam, one that New  
 York did not have,” Plagianos  
 said, “so the production team,  
 led by Kathlen Burke, Brett Demeron, 
  and Westwood actually  
 did this extensive research  
 just to fi nd something that fi t  
 the qualifi cations.” 
 “The  guidelines  when  we  
 wanted to start were that cast  
 and crew had to get a molecular  
 test, but you had to get  
 your results in 72 hours. At the  
 time, no one was getting tests  
 that quickly,” Westwood said. 
 Knowing people who were  
 high-risk and getting quick  
 results,  the  star  discovered  
 the Phosphorus RT-qPCR  
 test, and “fought like crazy”  
 to have SAG approve it — and  
 when  they did,  it was back  to  
 work for her and the rest of the  
 “Hudson Falls” team. 
 “Waking  up  the  fi rst  day  
 of fi lming and getting to go  
 practice my craft — there’s no  
 feeling quite like it,” she said.  
 “The reality is these days,  
 when  this  is  the  type  of  business  
 you’re in, you’re grateful  
 to get back to work.” 
 And Plagianos was equally  
 grateful for Westwood’s help in  
 securing the fate of the project. 
 “Without  her, we  probably  
 would not have been able to  
 fi lm this pilot,” he said. 
 “Hudson  Falls”  will  premiere  
 at festivals starting next  
 summer, but in the meantime,  
 the Brooklyn-based fi lmmaker  
 says  he’s making  the most  of  
 the new hand he’s been dealt. 
 “Since  we  shot  that  show  
 I’ve been approached  to shoot  
 other shows as well because  
 we  sort  of  know  how  to  navigate  
 these waters now,” he  
 said. “It’s been exciting.” 
 Come out and play 
 Hook fi lmmaker shoots ‘Hudson Falls’  
 pilot while bending to COVID guidelines 
 BROOKLYN 
 Show must go on 
 MAKING IT: A new toy store and play space in Clinton Hill promises to  
 entertain both children and adults.  Photo courtesy of Clixo 
 Actor Tara Westwood stars in “Hudson Falls,” a new television pilot shot  
 by Red Hook fi lmmaker Elias Plagianos as COVID-19 mandates rocked productions  
 across the country.  Photo courtesy of Elias Plagianos 
 
				
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		/www.myclixo.com
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